Monday, March 9, 2015

Armory Arts Week 2015 - Fucking Photography

Armory Arts Week came and went again, this time in March of 2015. I go to absorb what's being created around me, so I might create something different, but derived from. As a photographer, I will speak about what I saw with photography.

Armory Week 2015 Photography Trends

Top Takeaways:
1. Collage is the new eerie portrait.
2. Pink is the new black-and-white.
3. People still don't know how to make new digital images look beautiful.

Pulse Fair March 2015

Uprise Art by Charlie Engman at Pulse fair
Collage post print
Uprise Art by Charlie Engman
Collage pre print
First and this one from Uprise Art by Charlie Engman at Pulse fair.


Waterhouse Dodd by JEAN-FRANÇOIS RAUZIER


Pavleye Gallery by Peter Kappa at Pulse Fair
Pavleye Gallery by Peter Kappa at Pulse Fair
Collage post-print via printing on tile by from Pavleye Gallery by Peter Kappa at Pulse Fair.


De Soto Gallery by Laura Plageman at Pulse Fair
De Soto Gallery by Laura Plageman at Pulse Fair
De Soto Gallery by Laura Plageman at Pulse Fair
De Soto Gallery by Laura Plageman at Pulse Fair
Collage pre-print, apparently many times. Images from De Soto Gallery by Laura Plageman at Pulse Fair.
De Soto Gallery by Laura Plageman at Pulse Fair


Volta Fair March 2015

Mariane Ibrahim Gallery by Maïmouna Guerresi at Volta.
I'm calling multiple exposure a collage, because, in this case, it fits. This series is a collage in with the frames and colors too. Image from Catinca Tabacaru Gallery by Rachel Monosov at Volta fair.
Mariane Ibrahim Gallery by Maïmouna Guerresi at Volta.


Mariane Ibrahim Gallery by Maïmouna Guerresi at Volta.
I call this a collage post print, becuase to have just one of these suckers would look like a dot on your wall. You must collage a few of them.
Mariane Ibrahim Gallery by Maïmouna Guerresi at Volta.
Mariane Ibrahim Gallery by Maïmouna Guerresi at Volta.


 Ge Galari by Sergio Belinchon at Volta.
 Ge Galari by Sergio Belinchon at Volta.
 Ge Galari by Sergio Belinchon at Volta.
I'm calling these color collages. Most are pre-print, though the one directly above is post print.
 Ge Galari by Sergio Belinchon at Volta.


 Lynch Tham by Quisqueya Henríquez at Volta

 Lynch Tham by Quisqueya Henríquez at Volta
 Lynch Tham by Quisqueya Henríquez at Volta
Works by from Lynch Tham by Quisqueya Henríquez at Volta.


Shulamit Gallery by Sanaz Mazinani at Volta fair detail
Shulamit Gallery by Sanaz Mazinani at Volta fair
Shulamit Gallery by Sanaz Mazinani at Volta fair detail
Shulamit Gallery by Sanaz Mazinani at Volta fair.
Collage done pre print. Works from Shulamit Gallery by Sanaz Mazinani at Volta fair.


Let's just take a moment to look at a horribly intrusive and selfish piece here. It's like a fake boobed woman with bleached hair in a crop top and mini skirt. You have to look, but not because it's beautiful. This is a collage made pre print, with a color combination and composition that makes me embarrassed to say I'm also an abstract photographer. 

Ok moving on...


Christiane Feser gallery by Anita Beckers at volta fair
Christiane Feser gallery by Anita Beckers at volta fair detail
Christiane Feser gallery by Anita Beckers at volta fair
Christiane Feser gallery by Anita Beckers at volta fair detail
Christiane Feser gallery by Anita Beckers at volta fair
Collage done pre and post print. In a play with shadows and lights, these pieces are simple with so much to appreciate.
Christiane Feser gallery by Anita Beckers at volta fair


Galerie Trois Points by Anne-Renée Hotte at Volta fair
Galerie Trois Points by Anne-Renée Hotte at Volta fair
At first glance, this looked like a collage, so I'm counting it. Same thing achieved. And, in a way it is. Only, instead of placing something on top of something, someone is holding something within something. In this case, someone is holding another photo within this photo. Kind of begs the question — Is every photograph just a collage of things?
Works from Galerie Trois Points by Anne-Renée Hotte at Volta fair.

Other Notable Armory Week 2015 Photography 

Here are photographs from fairs that I thought were beautiful, and worth sharing, but didn't follow the collage thing.
The pieces above and below win for foreground texture leading into subtle hues. 
They don't scream at you to come look at them, but pull you in to enjoy them. That is art.
Pieces from Pictura Gallery by Joe Johnson at Pulse fair.


THIS IS NO FANTASY gallery by Petrina Hicks at Volta fair
The above and below pieces use rich, beautiful colors. Pink  might be trending in the art world, but the only pink found here is in the soft light skin. The idea of photography being used to capture and share frames of thoughtful shapes and hues makes my heart feel happy.
THIS IS NO FANTASY gallery by Petrina Hicks at Volta fair
THIS IS NO FANTASY gallery by Petrina Hicks at Volta fair


There was certainly more to see than what you see here, but you can't stay on this fucking blog forever. You get the idea, and the ideas. I didn't note every time pink showed up, like I did with pointing out collaging, because you can just look for the color yourself. Please see photos above to see some pink.

Friday, October 24, 2014

Born Again

A piece I made about now.

I'm like this guy. Pondering and looking into the future while holding onto what is beautiful and important in my world.

The classic artist's tale of everyone telling me I shouldn't pursue what makes me tick. Well, no matter what, I'm a fucking photographer. Ugh. Sometimes I wish I wasn't. I wish I could just be satisfied by normal things like, how many likes I get on my selfies, or getting promoted in my copywriting job, or getting high. 

Artists, you know what I'm talking about.

I tried to ignore this feeling for a while and live a normal life, but I've never been so anxious in my life. Funny, huh? 

I'm scared to not be scared. 

Every time I ignore my instincts, it bites me in the ass. So, I shan't ignore them any longer. 

Tuesday, February 11, 2014

Opening - "Other People's Paintings" @ Torrance Shipman Gallery


What
Artist-run space Torrance Shipman Gallery is asking a slew of their resident artists to curate group shows. Last night was the opening of group show "Other People's Paintings", curated by painter Matthew Fischer.

Who
The show included works by Fishcher's "friends, near friends and almost strangers", and ranged from paintings to charcoal to ink caulking on canvas, with the token group show "sculpture" done by Nora Griffin (linen, wood, nails.)

Thoughts

If there's one thing I notice most about group shows put together by friends that you see in the likes of community/artist "galleries", is the lack of depth in most (not all) pieces. The above piece by MacGregor Harp is listed as "oil and acrylic on canvas", and I can't help but suggest listing it as some oil and acrylic with canvas. Feel free to call it a personal pet-peeve and disregard it, but it just feels/looks like Harp didn't want to take the time and wait for paint to dry to give his piece emotional layers.

Or the pieces below, also by MacGregor Harp, continue the theme of a nice idea, but executed with apparent lack of richness and depth. There is more to a painting than good design and color balance, and it's that extra thoughtfulness that makes a piece worth _________. Put in the hours, days, months to create pieces that make schlepping to Sunset Park in the freezing weather worth me getting a fucking cold the next day.


To Fischer's credit, there were pieces to enjoy, or at least think about...(below)

The above piece by Nikki Maloof (oil on canvas).

This was my favorite piece in the show.  Shara Hughes' "Sneak Peek" takes an unconventional subject and color combination to create something that offers a playground of exploration and depth.

Finally, some detail and beautiful, thoughtful shading.


Then, I left.

And took these on the subway with my iPhone. Inverted and color adjusted in Photoshop Express app.